Table of Contents
Articles
Introduction to the special issue: 20 years of the Institute of Popular Music
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Abstract |
| Dave Laing | 5-7 |
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The origins and development of The Institute of Popular Music: An interview
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Abstract |
| Dave Horn | 9-38 |
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The Liverpool sounds project: Oral history research at the IPM
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Abstract |
| Dave Laing | 39-64 |
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‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography
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Abstract |
| Robert Strachan | 65-80 |
Resources
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Collections at the IPM
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Abstract |
| Robert Strachan | 81-87 |
Reviews
Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk).
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| Christine Adams | 89-92 |
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Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk).
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| Dave Laing | 93-95 |