
By revisiting the myth of Joan of Arc, Daniel Bensaïd endows his political militancy with a potential theological scope: that of a de-phallicized thinking of the divine.

Inspiration comes from previously off-limits traditions, just as emotions once dismissed as despairing gain untold potentials: this is the turn from leftist melancholy to melancholy politics.

Daniel Bensaïd reinterprets Marxism as a Jewish messianism of “patient impatience,” in which political defeat, exile, and even anti-Semitism become the paradoxical sites from which a non-statist, heretical, and universalist revolutionary agency can re-emerge.

“Neither of us would be allowed to do our jobs had we adhered to our practice of wearing a veil.”

Reading Glissant is important because he not only asks us to think about political life in terms of public speech and activity, he also reminds us always to situate that politics within the landscape and the seascape.

As an indicator of national frustrations, the headscarf crystallizes the collective hysteria of a declining power that clings to its dreams and its extinct splendor.





