This intervention invites readers to consider Largier’s interdisciplinary approach on figuration and theistic immanence, particularly in the light of Foucault’s reflection on Subject and Power and his large influence on Anthropological and Social Sciences studies of power and the willful subject. Napolitano examines mystics and negative theology’s thread of “the ground” in Largier’s work, likening its affective intensity and dynamic of figuration to an otherwise imagination of the political, and its forms of violence.