Against that paradigm of crisis–critique–historical consciousness, in which phenomena need to be given a proper categorical frame of reference to achieve the fullness of their historical meaning, this essay turns to the theological figure of “tribulation” in order to animate another tradition of thinking the difficulty of the present.
As Talal Asad’s notion of a discursive tradition has become a mainstay in Islamic Studies, how has it contributed to the larger debate on continuity versus rupture? And how does Asad’s anthropologically-informed definition of Islam shed light on the tension between genealogy on tradition?