The politics of new creation involves the bringing together of words and actions in the form of consistent living, by means of the work of the Spirit of Christ. Hypocrisy and intolerance among Christians are a departure from this model, flowing from an unwarranted confidence.
. . . In other words, Chappie can be read as an allegory that calls for us to recognize our ill-treatment of the other, and the film seeks an alternative ethic that does not recourse immediately or uncritically to fear or hostility, leading to violence. We are to be more embracing of the ‘other’ who is, ultimately, more complex than we might first assume, and is never entirely ‘other’.
1 Samuel 8:4-20 illustrates how fear of vague enemies can lead to the development of a military-industrial complex and fuel the domination of rich elites of the mass of a people. Against this stands the Deuteronomic vision of limited monarchy under God.
In May 2014, Indian Prime Minister Narendra Modi travelled to the riverside holy city of Varanasi to worship mother goddess Ganges in gratitude for his victory in the national elections. This grand self-promotional gesture by a prominent Hindu nationalist politician illustrates how religion and politics remain enmeshed in India. Even though the democratic constitution of the nation-state has been modeled on western varieties of secularism, everyday politics is infused with religious iconographies.
The biblical images of God as divine king are often handled with embarrassment in a more egalitarian age. However, although it may appear little more than accommodation to ancient despotic assumptions, throughout the Scriptures the kingship of God is presented as a great force for liberation against all human tyrants.
Luke’s account of Pentecost frames it as the installation of a prophet. As we reflect upon the shape of the prophetic vocation and the content and shape that Luke’s narrative gives to the Church’s calling we will be empowered for our political vocation in the twenty-first century.
When Paul Tillich’s Theology of Culture hit the shelves of the Anglosphere in 1959, the book seemed to go against the prevailing mood of the time. Wages and living-standards across North America were up as the post-war ‘Keynesian miracle’ took its full effect. While the previous year had seen economic contraction in U.S. output, it was to be a small pause in a seemingly unstoppable advance. Canada and Australia also rode high in the economic league-tables, as the administrations in Ottawa and Canberra saw conditions of near full-employment.
