God’s call is not to engage in politics of personal power or self-service, but engage in a politics of liberation, one that ends the idolatrous hold on power so many have.
God’s recurring appearance in Susan Taubes’s novel Divorcing confirms the work’s alarming in-sight about the seductions of patriarchal authority while also dramatizing fiction’s imaginative power.
Writing in May, 1670, the German theologian Jacob Thomasius fulminated against a recent, anonymously published book. It is, he claimed, “a godless document” that should be immediately banned in all countries. His Dutch colleague, Regnier Mansveld, a professor at the University of Utrecht, insisted that the new publication was harmful to all religions and “ought to be buried forever in an eternal oblivion.” Willem van Blijenburgh, a philosophically inclined Dutch merchant, wrote that “this atheistic book is full of abominations … which every reasonable person should find abhorrent.” One disturbed critic went so far as to call it “a book forged in hell”, written by the devil himself.