Images of imprisonment appear throughout the Psalter, where the psalmist turns to God as refuge in order to exit the pit of despair. Similar to the life of Omar Ibn Said, and the opera which tells his story, images of shelter and succor help the psalmist escape the abyss of embattlement, imprisonment, or depression, and nurture the attitudes of care, trust, and hope that crest in Psalm 146 and the Hallelujah psalms.
Language and meaning originate not from a fullness trying to communicate itself but from a lack that strives after enjoyment.
What if we saw in Psalm 98 a longing for an abolitionist vision of justice? How might entering into the psalmist’s vision of a joyful, praising creation animate and free our collective vision of how we might live together?
Praise psalms may fail to raise our political antennae, but when we stop to consider what praise entails, we discover that praise makes the most daring political claims of all.