By Tazim R. Kassam
In this case, the “covering up” is the absence of reference to Islam/Muslims. The silence is a form of erasure of their experience in the historical narrative post-9/11. Both are processes that hide Islam, in one case through distortion in the other disinterest.
How can creativity, with its wild, aimless fecundity, not overwhelm us, turning us into mere occasions for, or perhaps ciphers of, a cosmic Process which rolls on eternally, producing no true events but only simulacra of itself?
By Tina Beattie
Fragments. That’s all we have. Books have been written, justifications have been offered, blame has been distributed and redistributed, enquiries have been held, heroes have been buried, villains have been executed, prime ministers and presidents have come and gone, and still all we have are fragments, and the rattle of empty words, dry as ash and bones.
As it is, much scholarship associated with political theology has been captured by the same fantasy that animated the 9/11 attacks. It is a very white, very male, very Western fantasy, one that is taken too literally by foreign subjects of American hegemony who have gone astray. There is such a thing as Sovereignty, which can be wielded by a Dictator or embodied in a People or hidden in Capital or represented in Towers. The goal is to defend It, or capture It, or displace It, or pluralize It, or expose It, or destabilize It – or, quintessentially for the academic, interrogate It.
We are in an economic crisis, but we are also in an identity crisis. Who are we? What do we, as a nation, stand for?
Perhaps I am mistaken, but it sure seems that President Obama began his much anticipated jobs speech with a little political theology. In classic civic fashion he could have referred to an economic crisis that has left “millions of Americans jobless,” or “millions of our fellow citizens jobless.” Instead, he referred to an economic crisis that has left “millions of our neighbors jobless.”
While I would not want to deny the political importance of forms, I would add to this analysis the importance of the kinds of spirit or inner drive (desire) which may be astir in them. An essential part of the explanation for the enormity of 9/11 is that the terrorist network responsible for them was not animated by a drive to produce new configurations of value and meaning so much as by a reactionary desire to bring judgment upon forces of modernity which were perceived to be a threat to established (traditional religious) values. The animating spirit of terrorist networks is a spirit of ressentiment.