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The Brink

“Happy Little Accidents, in this economy?!”

“Happy Little Accidents” also approaches philosophy as a practice of creating scenes of desire, staging a vision of a future, a way of being, a mode of relation – as attractive and worthy.

This video was originally composed for a session of the “shadow conference” held by the Religion, Affect, and Emotion Unit at AAR in 2023. The goal of those sessions was to “highlight the below-the-grid content of the AAR’s usual formal presentations and content,” by exploring the subjective conditions of academic life post-pandemic. Presenters were asked to address questions of labor, exhaustion, and creativity. I decided to run wild with the permission I was given in the Call for Papers to stretch the boundaries of typical academic discourse with “the playful blending of usual presentation norms and forms.” This video expresses multiple layers of burnout (ADHD, academic, creative, and political), while holding out hope for sparks of creative potential. 

 “Happy Little Accidents” also approaches philosophy as a practice of creating scenes of desire, staging a vision of a future, a way of being, a mode of relation – as attractive and worthy. Those desires generate the necessary conditions to ask questions like, “How do we get there?” or “How do we make this real?” These are qualities it shares with theological and spiritual discourses. Those who – by various points of entry and to varying degrees – come to share the same ideal, refine their collective understanding of that ideal through discussion and debate, successes and failures, experience and experiment. Philosophy emerges as a playbook, or tactical manual. So St. Bob’s line toward the end of the video (“How do we make all that happen? I don’t know, I’m an ideas guy.”) is not quite accurate.

What remains true, however, is that the philosophical tactical manual must be made through collaboration with those actually conducting social experiments, practicing strategies for social change, creating networks of care, and so on. Diversity of tactics. The work we can do relies on the work of others. This is true, whether our interlocutors are challenging the political status quo or picking food in the fields, passing legislation or producing a music video. So in a very real sense, anyone engaged in philosophical critique or construction cannot incorporate the aleatory nature of life, the “happy little accidents” of day to day living, “in this economy.” It’s hard to “follow your bliss” or fall down conceptual rabbit holes when you’re collapsing under the weight of student loan debt, eternal adjunct status, and the rising tides of fascism.

Erring:

to ask the Question “What’s going on?”

is to vocalize an insistence,

an energized, potentialized vector

That opens onto an otherwise –

pulsing and driving toward

different, new,

but never alone,

Never without counter-pulses, insurgencies.

This is the ceaseless

busy-becoming-as-agony

of the Event,

wherein insistences affect breathing beings –

as compulsions, intransigences, and freedoms.

The Question (improperly) names the insistence

that generates the desire

for intimacy:

philo + sophia

Symposium on Video Essays

Symposium Essays

“Self-Portrait of an Enigma”

But academics usually wish for more. We fantasize about some audience scattered in the future who will not just read what we write but do something with it, who will see and feel that our words and ideas carry an energy or force that calls for more to be said, more to be thought, more to be created, even if it is critical.

“Happy Little Accidents, in this economy?!”

“Happy Little Accidents” also approaches philosophy as a practice of creating scenes of desire, staging a vision of a future, a way of being, a mode of relation – as attractive and worthy.

“Without God, Within Sky”

I started capturing scenes of weather around my house with my phone. This eventually spiraled into creating a video essay with music and a voice-over of the central sections of the paper.

Coming

“Antinomian Americana”

Coming

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