As apostles of Jesus, in the face of hatred and violence, Christians are called to embody a culture of healing and transformation. Being witnesses to the risen Jesus Christ is an existential commitment to pursue justice and practice love.
Accompaniment in fear, in suffering, in trauma: that seems to me to be an appropriate call for Christians over the past three Easters. We are still sitting in a messy, middle space – enduring in grief, and hoping for a new day, a new creation.
Luke states with exquisite and unmistakable clarity that God will not hesitate to silence those with power, and give a bullhorn to those without power, even ensuring that—if need be—the creation itself will speak justice into the world.
In casting the return from exile as a new exodus, Second Isaiah activates an ambiguity in an ancient poem in light of new political realities.
Luke 15:11-32 serves as a warning instead of model to imitate.
Jesus couldn’t tolerate the unjust practices of Herod, nor could he remain a silent spectator to all the injustices Herod had been doing. Instead, at that very moment he swears against Herod with an f-word.
On the one hand, there is in the foreground “a land flowing with milk and honey.” On the other hand, as one reads the text with modern eyes and ears, the problematic language of inheritance, possession, and settlement the chapter begins with rightly alarms readers concerned about occupation of stolen lands using theologically justifying language.
We look for revelations on the mountain tops—among the most powerful and famous. God’s politics of reversal, on display throughout Luke, call us to re-center this search in the valleys and level places, in the face of the child and the plea of a father.
Joseph’s claim that it was God who engineered the situation for good is indicative of a person, or at least a narrative character, who has experienced healing over time, away from his abusers. He has reframed his narrative to better suit how he sees himself and his world now, a world where he has power.
The political message of the ambiguous reference to a stump in Isaiah 6 might lie not in the text itself but rather in the history of its redaction.
For those who experience a divine compulsion to publicly resist the perversions of the powerful, despite their own hesitations and fears, Jeremiah may be an encouraging witness to the potential for an experience of divine presence alongside the pain.