Everyday life gives us ample opportunity to fulfill all righteousness, at least as far as the gods of global capital are concerned. Building credit, contributing to a 401K plan, purchasing ordinary goods produced through an extraordinary supply chain, we participate in the enchanted world of mammon, in which money defies space and time to make and remake a world that bears its image. But in Matthew’s gospel, Jesus inhabits a different kind of story about God and the world, about empire and capital.
In displaying its cosmic vision, Psalm 8 invites its readers to participate, in some limited way, in the divine perspective that exceeds our own, in which anthropocentric fantasies are judged and redefined.
The Political Theology Network invites proposals for curating a discussion that all respond to a novel, contemporary question at the intersection of critical theory and political theology.
Spillers, Cheng, and Halberstam provide us with tools to approach the histories of violence, economics, relationships, desires, and contestation that infuse our experiences with flesh in its multiplicity. Flesh is never neutral.
When we work towards the eradication of structures that perpetuate poverty in our communities, those that divide us, systems that perpetuate classism or any form of caste system, we each become the light that others see around them. This is also how we embody the glory of God as was experienced by the shepherds in the Lukan narrative.
Jesus is not Joseph’s biological son. Matthew starts his genealogy in the usual patriarchal way, but Jesus does not continue this line. Does this not mean freedom from the patriarchal lineage?
Political theology intimately understands that given reality teems with forms of life that remain opaque to us.
Seva lends itself to easy appropriation across political and religious contexts, while also furnishing mutually intelligible tropes of service, welfare, and social betterment.
Images of imprisonment appear throughout the Psalter, where the psalmist turns to God as refuge in order to exit the pit of despair. Similar to the life of Omar Ibn Said, and the opera which tells his story, images of shelter and succor help the psalmist escape the abyss of embattlement, imprisonment, or depression, and nurture the attitudes of care, trust, and hope that crest in Psalm 146 and the Hallelujah psalms.
Retelling of a story/text in the Word of God demonstrates the dynamic nature of the event of the God of the word. The God of the Bible is a God who reappears, reveals, re-presents, reimagines and repeats Godself to the creation in God’s own ways to each time and context.
The following post contains information that may be of interest for those attending AAR/SBL in Denver this year.