The unity embodied in this psalm is idealistic, imaginative, and radical, embodying fluidity. It disrupts the exclusivist notion of nationalism common in its contemporary literature and embraces unity, which is symbolized as inherently good and pleasant.
Images of imprisonment appear throughout the Psalter, where the psalmist turns to God as refuge in order to exit the pit of despair. Similar to the life of Omar Ibn Said, and the opera which tells his story, images of shelter and succor help the psalmist escape the abyss of embattlement, imprisonment, or depression, and nurture the attitudes of care, trust, and hope that crest in Psalm 146 and the Hallelujah psalms.
Who produces American history textbooks? Beyond historians’ work, this question demands a reckoning with political partisanship that creeps into the publication process of history textbooks. A comparable phenomenon can be traceable in ancient textualization of sacred memory. Acknowledging political forces in knowledge production helps renegotiate one’s perspectives on sanctioned discourses of historical memory in modern and ancient worlds.
The descendants of Abraham, Isaac, and Jacob cried out for deliverance, and Yahweh heard them (Exodus 2:23). Notice carefully: Yahweh did not offer to comfort the Hebrews. Yahweh did not tell them to endure their situation because things would all work out in the end, or because after death they would be “in a better place.” Instead, Yahweh acted on covenant promises made with their ancestors by entering history.
Humans have grown exponentially in our propensity and power to conquer the earth itself. Despite being newcomers relative to neighboring species, humans usually behave as if we owned the place. But Psalm 95 speaks clearly: When we come into God’s presence—and there is no place God is more vividly present to us than in creation’s midst—the psalm says to come with thanksgiving, the polar opposite of greed.