
If Dostoyevsky foresaw the rise of the 20th century totalitarian states as the father figures who would feed the masses in the first temptation, what did Dostoyevsky foresee here with regards to his feared future Catholic theocracy? What Dostoyevsky saw was how the captivating of the conscience through miraculous ecstasy could manifest itself, in games and permissiveness.

Fyodor Dostoyevsky in his masterpiece ‘The Grand Inquisitor’, as well as Lev Tolstoy in his The Gospel in Brief, both comment on, recapitulate, and in some manner ‘translate’, the story of Jesus’ temptation in the wilderness (Matt. 4:1-11; Mark 1:12-13; Luke 4:1-13) with varying interesting results. Let us compare Dostoyevsky, Tolstoy, and the Gospel accounts together to see how this story serves not only as Dostoyevsky saw them . . . nor only as Tolstoy saw them . . . but also as a profound critique of our current economic geopolitical situation, and pointing to our way out of the systems that enslave us.

This piece features a multimedia reflection on José Esteban Muñoz’s The Sense of Brown, which emphasizes the text’s radical approach to imagining solidarities and social relations beyond the normative paradigms of identity politics and its permutations. Through both textual poetics and sound design, Wadud and Lázaro Moreno riff off Muñoz’s own performance-based approach to storytelling and meaning-making, engaging Sense as an invitation to reconsider the aesthetic and philosophical terms of community-making, centering the power of counterintuitive methods.

Thoreau’s asceticism was always also related to his hope for just economy – a way of life beyond slavery or exploitative capitalism. I am thus invested in thinking about Thoreau’s religion – his ascetic practice in the woods and the theological commitments that drove it – as deeply tied to his politics.






