
Berlant is our preeminent contemporary theorist of how intimate practices bleed into and with national formations, and condition specific and powerful fantasies for what a good life or functional society would involve. To read their work is to become attuned to a set of dynamics that can be excavated in any given scene: the attachments being made and unmade, the forms of belonging that flash up and dissolve, the feeling-worlds that mediate everyday life, what remains unfinished.

“Perhaps it is in precisely this ambivalent way that air (and Irigaray) reminds us of just how much we belong—to the air itself, to this emptiness that hovers and sings in lifedeath. We might forget air, we might forget that we breathe, or how to breathe. But air does not forget us. And air will never cease to carry us, to lift us up, to set us into flight, even when we no longer live in a body that tried (if unsuccessfully) to fly.”

Life after violence and profound loss requires that we find ways to hold and contain that pain. Relics help us do this. As we wrap them in our words, craft beautiful containers, or place them in vitrines, we keep these memories alive. We acknowledge and respect their ongoing presence in our lives.

Born out of the recognition that the place of guns in the United States cannot be adequately explained via statistical data—that qualitative accounts are urgently needed—these approaches aim to understand the logics of self-defense and self-preservation at play in forms of life in which guns have been incorporated.







