
Rather than starting from a diagnostic superficiality of her image, a seemingly inevitable lure as evidenced by the myriad books about Weil that display her photo on their cover, when we really dwell with Weil’s writing in relation to her self-fashioning, what emerges is how profoundly she sought a more engaged connection with the world.

Those experiencing rejection because of their sociopolitical identities can know that God does not condone discrimination, that God’s promises are a proclamation of reversal.

In the post-secular world [Dick] envisions, religion has fully capitulated to the allure of the marketplace. As these perky commercials are meant to indicate, Dick expects humankind, circa 1992, to seek (and find!) redemption not in its devotion to (and fear of) otherworldly deities, nor in the afterlives these deities gatekeep for their favorites, but in its reverence for nifty consumer wonder products: beer, brassieres, plastic wrap, razors, etc.

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An examination of responses that are counteracting the fascism emboldened by Trumpism; including Dorothy Day and the Catholic Worker movement as well as Christ’s moral imperative for anti-fascist action. A provision of counternarratives of hope to the prevailing motif of the Catholic Right’s resurgence.

This intervention invites readers to consider Largier’s interdisciplinary approach on figuration and theistic immanence, particularly in the light of Foucault’s reflection on Subject and Power and his large influence on Anthropological and Social Sciences studies of power and the willful subject. Napolitano examines mystics and negative theology’s thread of “the ground” in Largier’s work, likening its affective intensity and dynamic of figuration to an otherwise imagination of the political, and its forms of violence.





