
The unity embodied in this psalm is idealistic, imaginative, and radical, embodying fluidity. It disrupts the exclusivist notion of nationalism common in its contemporary literature and embraces unity, which is symbolized as inherently good and pleasant.

“Literature–or “imaginative writing”–is not simply a window into understanding the theo-political positioning of author and reader, but also a medium for experimentation, in which the familiar is made strange and the strange becomes familiar. “

Those who commit dehumanizing acts of violence—whether through physical harm, abusive exploitation, or benign neglect—themselves become debased and subhuman, even as they sit in positions of power. Indeed, Micah puts this in sharp relief … where he depicts the corrupt “leaders and rulers” as ravenous animals who cannibalize those who the Lord has placed in their care.

“Children give us immense joy, but they are also hard work. We have to do everything for them but sometimes we also have to resist the urge to help them, so that they can become independent. They grow up too fast, but also, often, way too slowly. When they rebel against us, it is a sign that we have raised them well. Could we treat our political theological categories similarly? Could we want for them this flexibility, or mutability, this growing independence from us who created them?”

Following this path, I intended to do a non-punitive reading on Cain’s wandering by presenting it as God’s opportunity to cultivate the land while moving around the territory. This view of the nomad seeks to rehabilitate another type of relationality with the Earth by recovering its dignity in different horizons.

In his book Senghor’s Eucharist, introduced here, David Tonghou Ngong focuses on Senghor’s poetry collection called Black Hosts as a starting point for understanding his political theology. He argues that Black Hosts is a Eucharistic theology that calls for the reclamation of the Eucharist for the remaking of the world.





