Tuning in to active nonviolence as a center of gravity in Jesus’ way, we can sense nonviolence as integral to the mission of the Catholic Church. This enables us to have a broader imagination of nonviolent praxis, a sturdier identity as interconnected beings, and an engrained commitment to better persist in active nonviolence even during difficult circumstances.
Under the multidisciplinary banner ‘Animal Studies’, we may decenter the ‘human’ in this history of capitalist agriculture, and instead attend to the political histories of insect agents. The resulting narrative is intriguingly subversive.
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By cataloguing an approachable Christian-oriented anti-fascism, we hope to engage audiences not merely in contemplation, prayer for change, or internal spiritual renewal, but in tangible action.
If nothing else, the national public attention and copy-cat movements following the Asbury Revival speak to the need for spiritual revival—as in the Great First Awakening, most people are dissatisfied with established religion and are looking for ways to experience a genuine spiritual awakening.
This symposium brings together three thinkers on the ideas of nature, animals, God, and the relationship between all of them.
The Politics of Atheism Symposium sheds light on atheism’s emancipatory force. With a commitment to immanence, atheism can provide a counterweight to the pervasive appeals to God or other transcendent ideas used to legitimate systems of domination.
Across these six essays, the role of liberation as either a political end or a methodological concept is problematized as means to thinking beyond liberation to a material politics darkly intuited but urgently needed.
Reading Butler’s fictional works against contemporary social, ecological, and geopolitical crises, her prescient ability to imagine and communicate a dystopic near-future from her writing desk in the 1980s and 1990s is uniquely prodigious
“Literature–or “imaginative writing”–is not simply a window into understanding the theo-political positioning of author and reader, but also a medium for experimentation, in which the familiar is made strange and the strange becomes familiar. “