What if we treated death and suffering as having the last word? How would that change us and the world we live in?
The Sabarimala judgment of the Indian Supreme Court has been widely celebrated in liberal-progressive circles for its inclusionary gesture of upholding the right of women to enter Hindu temples as public places of religious worship. But to make sex political, what we need is the discovery of a new language of sovereignty that defies and exceeds the identitarian logic of inclusion and exclusion
This essay will uplift Césaire’s anticolonial consciousness, in hopes that new directions in political theology might emerge/surface
Milinda Banerjee, Karma Ben Johanan, Méadhbh McIvor, and Wonchul Shin take on new roles at the journal Political Theology
Indian citizens stepping up to save as many lives as they could embody what the Kingdom of God is about: collective self-care, mutual aid, without a king, while also holding earthly kings accountable for not attending to the needs of their public whether or not there is a crisis.
Political practices have more in common with literary techniques than one might assume. In reflecting on how we build worlds to inhabit, political theology can draw on sources and themes from speculative fiction to help us imagine ourselves beyond the structures we inhabit.
A derogatory term, “freedom cunt” uttered against a female is offensive, but it is also instructive.
Lyotard’s thought as it appears in Le Différend describes a linguistic state that evades speech, and the ways in which justice could be done to it, or not. Bearing witness to unpronounceable utterances brings about the idea of faith.
Using Puar’s line of analysis, we can trace how debilitating trauma can become a tool of the nation-state that creates racialized “mad people”: unruly, distressed, unbecoming, disposable in the eyes of the nation-state, yet necessary in their precarity and correct-ability.
It is not always clear what we mean by violence or nonviolence, though, like pornography, we assume, we’ll know (non)violence when we see it.
To read Catherine Malabou is to embark upon an adventure of thought. Her writing demands change from her readers if they are to follow her on that adventure. It is a process of change that is sometimes joyful, sometimes painful.