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Part 2 in our conversation about film, morality, theology, and politics.
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With the Oscars just around the corner, we convene a panel to discuss theology, morality, and politics in recent film. We begin by confronting the horrors of racism in Get Out and Three Billboards Outside Ebbing, Missouri.
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The Magnificat is a song of divine disruption, the song of God’s revolution.
By Fritz Wendt






